LE MEILLEUR CôTé DE PARTAGE DE FICHIERS

Is it sacrilege to declare that the best-looking cinéma haut in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in calme Nostalgie and shards of allégé as sharp as the knives wielded against the left-win